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Professor Francis Home by David Allan

plate no. 8246

Professor Francis Home

David Allan

oilRomanticismportraitportraitfigurebookstablecurtainwriting
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures like fabric and paper, and understanding how to create depth through layering and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, table, and bookshelf.

  2. step 02

    Establish the background, starting with the curtain and then the bookshelf, using thin washes of color.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and posture.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle shading.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the fabric.

  6. step 06

    Paint the table and objects on it, such as the books, quill, and inkwell.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · cerulean blue · sap green

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Create skin tones by blending titanium white, cadmium red, and yellow ochre. Use cerulean blue and sap green to create the green of the table.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy color mixtures.
  • →Lack of attention to detail in the facial features.
  • →Flat or lifeless rendering of the fabric and textures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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