apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Procession of the True Cross (Procession in St. Mark's Square)
Procession of the True Cross (Procession in St. Mark's Square) by Gentile Bellini

plate no. 7711

Procession of the True Cross (Procession in St. Mark's Square)

Gentile Bellini, 1496

temperaHigh Renaissancecityscapecityscapearchitecturefiguresprocessionbuildingssky
experienced study

Recreating this painting will help students develop skills in perspective, rendering architectural details, and depicting crowds of figures. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and placement of major elements like the buildings and the procession.

  2. step 02

    Block in the basic shapes and values of the buildings, paying attention to the receding perspective.

  3. step 03

    Add details to the architecture, focusing on the arches, windows, and ornamentation of St. Mark's Basilica and the surrounding buildings.

  4. step 04

    Establish the ground plane and begin to populate the scene with figures, starting with the larger groups in the foreground.

  5. step 05

    Refine the figures, adding details to their clothing and faces, and varying their poses to create a sense of movement.

  6. step 06

    Add highlights and shadows to create depth and dimension in the buildings and figures.

  7. step 07

    Pay attention to the atmospheric perspective, making distant objects appear lighter and less detailed.

  8. step 08

    Add final details and adjustments to create a cohesive and convincing scene.

color palette

primary · ochre · gray · burnt umber · gold

secondary · red · blue · white · black

Achieve the muted tones by mixing earth pigments with white and black. Use thin glazes to build up color and create subtle variations.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·rendering architectural details
  • ·figure drawing
  • ·glazing

common pitfalls

  • →Incorrect perspective
  • →Overly detailed figures in the background
  • →Lack of atmospheric perspective
  • →Muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·tempera paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water
  • ·soft cloth

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Tempera paints dry quickly, so work in small sections and keep your brushes clean. Consider using a retarder medium to slow the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael