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home·artworks·Prior's Haven, Tynemouth - Sunrise
Prior's Haven, Tynemouth - Sunrise by John Wilson Carmichael

plate no. 0469

Prior's Haven, Tynemouth - Sunrise

John Wilson Carmichael, 1845

oilRomanticismlandscapeseacliffsskybuildingsfiguresboats
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color and value changes. It also provides practice in rendering various textures like foliage, water, and masonry.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Establish the sky with a thin wash of muted blues and grays, blending softly.

  3. step 03

    Block in the distant landmasses and sea, using progressively lighter and cooler tones to create atmospheric perspective.

  4. step 04

    Define the cliffs and foreground hills with darker greens and browns, adding subtle variations in color.

  5. step 05

    Paint the buildings and figures, paying attention to their relative scale and placement.

  6. step 06

    Add details to the boats and ships in the bay, using small brushes and precise strokes.

  7. step 07

    Refine the highlights and shadows throughout the painting, enhancing the sense of depth and form.

  8. step 08

    Add final details like birds in the sky and subtle reflections in the water.

color palette

primary · Prussian Blue · Burnt Umber · Titanium White

secondary · Yellow Ochre · Raw Sienna

Mix muted greens by combining Prussian Blue, Yellow Ochre, and Burnt Umber. Achieve atmospheric perspective by lightening colors with Titanium White and adding a touch of blue or gray.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·soft blending

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast in the distant elements
  • →Failing to establish a clear focal point
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·#2 round brush
  • ·#6 flat brush
  • ·Prussian Blue oil paint
  • ·Burnt Umber oil paint
  • ·Titanium White oil paint
  • ·Palette
  • ·Odorless Mineral Spirits

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Use a smooth canvas for easier blending. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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