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home·artworks·Prior's Haven, Tynemouth
Prior's Haven, Tynemouth by John Wilson Carmichael

plate no. 8667

Prior's Haven, Tynemouth

John Wilson Carmichael, 1845

oilRomanticismlandscapecastleseabeachfigurescloudslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural forms within a landscape. Students will also learn to create subtle color variations to depict light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the castle, coastline, and foreground elements.

  2. step 02

    Establish the sky with a light wash of blue and gray, blending the clouds softly.

  3. step 03

    Block in the main shapes of the castle and cliffs using muted earth tones.

  4. step 04

    Paint the sea with varying shades of blue and gray, suggesting the movement of the water.

  5. step 05

    Add details to the castle, including windows, walls, and towers.

  6. step 06

    Develop the foreground with rocks, grass, and figures, paying attention to light and shadow.

  7. step 07

    Refine the details of the beach and figures, adding highlights and shadows.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the atmosphere.

color palette

primary · ultramarine blue · burnt umber · raw sienna · titanium white

secondary · payne's gray · yellow ochre · cadmium red light

Mix blues and grays for the sky and sea. Use burnt umber and raw sienna for the castle and cliffs. Add white to lighten the colors and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the castle, losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated, creating a harsh contrast.
  • →Failing to establish a clear sense of depth and perspective.
  • →Neglecting the subtle variations in color and tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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