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home·artworks·Principal Court of the Convent of Saint Catherine
Principal Court of the Convent of Saint Catherine by David Roberts

plate no. 9080

Principal Court of the Convent of Saint Catherine

David Roberts

oilRomanticismgenre paintingbuildingsfigurescourtyardarchitecturepotsvegetation
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, rendering architectural details, and capturing the subtle variations in light and shadow on white surfaces. It also provides practice in painting figures in a complex composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, paying close attention to perspective and the placement of key architectural elements.

  2. step 02

    Block in the main shapes of the buildings and figures with diluted washes of color.

  3. step 03

    Establish the light and shadow patterns on the buildings, using progressively darker values.

  4. step 04

    Add details to the architectural elements, such as windows, balconies, and railings.

  5. step 05

    Paint the figures, focusing on their poses and clothing.

  6. step 06

    Render the vegetation, using a variety of greens and browns.

  7. step 07

    Add the final details, such as the pots and other objects in the foreground.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · cadmium red light

Mix white with small amounts of raw umber and cerulean blue to create the various shades of white for the buildings. Use burnt sienna and yellow ochre to create the warm tones of the wood and clothing.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Failing to establish a strong sense of perspective.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in value and color on the white surfaces.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·masking tape
  • ·kneaded eraser

optional

  • ·ruler
  • ·watercolor pencils
  • ·gouache

Use high-quality watercolor paints for best results. Consider using a larger sheet of paper to allow for more detail.

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oil painting for beginners →how to learn by studying the masters →
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