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home·artworks·Princess Tarakanova, in the Peter and Paul Fortress at the Time of the Flood
Princess Tarakanova, in the Peter and Paul Fortress at the Time of the Flood by Konstantin Flavitsky

plate no. 5338

Princess Tarakanova, in the Peter and Paul Fortress at the Time of the Flood

Konstantin Flavitsky, 1864

oilRomanticismhistory paintingfigureinteriorwindowfloodprisonhistorical
experienced study

Recreating this painting will help students develop skills in dramatic lighting, rendering fabric textures, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting human emotion and narrative.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window, and bed.

  2. step 02

    Establish the dark background and the light source from the window using thin washes.

  3. step 03

    Block in the main colors of the figure's dress and skin tones, paying attention to the light and shadow.

  4. step 04

    Develop the textures of the fabric, fur, and stone walls using layering and subtle color variations.

  5. step 05

    Refine the details of the face and hands, capturing the expression of despair.

  6. step 06

    Add the details of the window, table, and other objects in the room.

  7. step 07

    Create the illusion of water using transparent layers of blues and browns, reflecting the light and objects above.

  8. step 08

    Add final highlights and shadows to enhance the drama and realism of the scene.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · raw sienna

Achieve the muted tones by mixing complementary colors. Use white to lighten values and create highlights, and black to darken shadows. Mix yellow ochre and white for the light on the dress.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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