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home·artworks·Princess Mary as a Girl
Princess Mary as a Girl by Solomon Joseph Solomon

plate no. 2391

Princess Mary as a Girl

Solomon Joseph Solomon, 1911

oilImpressionismportraitportraitfigurehatdresshairface
some experience helpful

Recreating this painting will help students practice portraiture basics, including capturing likeness and using subtle color variations to create form. It will also develop skills in loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, hat, and background.

  2. step 02

    Establish the overall background tone with a thin wash of neutral color.

  3. step 03

    Block in the main areas of light and shadow on the face, hat, and dress using simplified color mixtures.

  4. step 04

    Refine the facial features, paying attention to proportions and subtle value changes.

  5. step 05

    Develop the details of the hair, using loose brushstrokes to suggest texture and volume.

  6. step 06

    Add the details of the hat, including the brim and any decorative elements.

  7. step 07

    Paint the dress and the blue flower, focusing on capturing the folds and highlights.

  8. step 08

    Add final touches and refine details as needed, ensuring a cohesive and expressive overall effect.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ultramarine blue · cadmium red light

Mix various shades of skin tones using white, raw umber, and small amounts of red and blue. Achieve the off-white tones of the dress and hat by adding small amounts of raw umber to white.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·loose brushwork
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushwork.
  • →Failing to capture the subtle value changes in the skin tones.
  • →Getting the proportions of the face wrong.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to simplify the color mixing process. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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