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home·artworks·Princess Louise Mountbatten
Princess Louise Mountbatten by Philip de Laszlo

plate no. 9108

Princess Louise Mountbatten

Philip de Laszlo, 1907

oilImpressionismportraitportraitwomanhatdressfigureclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing loose, expressive brushwork to create a sense of movement and light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the overall value structure with thin washes of color, focusing on the main areas of light and shadow.

  3. step 03

    Begin building up the skin tones, mixing subtle variations of color for highlights and shadows.

  4. step 04

    Work on the details of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the drapery and hat, using loose brushstrokes to create a sense of texture and movement.

  6. step 06

    Refine the background, adding depth and atmosphere with subtle color variations.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers to unify the painting and adjust colors.

color palette

primary · yellow ochre · burnt sienna · titanium white · cadmium red light

secondary · ultramarine blue · ivory black · raw umber

Mix skin tones by blending yellow ochre, burnt sienna, cadmium red light, and titanium white. Use ultramarine blue and burnt sienna to create neutral grays for shadows.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy or dull colors by overmixing.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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