
plate no. 9108
Philip de Laszlo, 1907
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing loose, expressive brushwork to create a sense of movement and light.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, hat, and background.
Establish the overall value structure with thin washes of color, focusing on the main areas of light and shadow.
Begin building up the skin tones, mixing subtle variations of color for highlights and shadows.
Work on the details of the face, paying close attention to the eyes, nose, and mouth.
Develop the drapery and hat, using loose brushstrokes to create a sense of texture and movement.
Refine the background, adding depth and atmosphere with subtle color variations.
Add final highlights and details to bring the painting to life.
Glaze with thin layers to unify the painting and adjust colors.
color palette
primary · yellow ochre · burnt sienna · titanium white · cadmium red light
secondary · ultramarine blue · ivory black · raw umber
Mix skin tones by blending yellow ochre, burnt sienna, cadmium red light, and titanium white. Use ultramarine blue and burnt sienna to create neutral grays for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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