apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Princess Charlotte Augusta of Wales
Princess Charlotte Augusta of Wales by Charles Turner

plate no. 8027

Princess Charlotte Augusta of Wales

Charles Turner, 1817

oilRomanticismportraitportraitfigureoval framejewelryflowerscherubs
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for creating form. It also provides practice in rendering fine details like jewelry and lace.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the oval frame, the figure's head and shoulders, and the base.

  2. step 02

    Refine the sketch, paying attention to proportions and the placement of features.

  3. step 03

    Establish the darkest values in the hair, clothing, and background.

  4. step 04

    Begin layering lighter values to create the form of the face and body.

  5. step 05

    Add details like the flowers, jewelry, and lace, using fine brushes.

  6. step 06

    Develop the background and the base with subtle value changes.

  7. step 07

    Refine the details and adjust values to create a sense of depth and realism.

  8. step 08

    Add final highlights to enhance the form and create a focal point.

color palette

primary · sepia · ivory black · titanium white

secondary · raw umber · burnt umber

Mix shades of sepia and ivory black with titanium white to achieve the various light and dark tones. Use raw umber and burnt umber for subtle variations in the background and clothing.

techniques

  • ·grisaille
  • ·value study
  • ·blending
  • ·hatching
  • ·rendering

common pitfalls

  • →Inaccurate proportions can ruin the likeness.
  • →Overworking the details can make the painting look stiff.
  • →Insufficient value contrast can make the painting look flat.
  • →Ignoring the subtle value changes in the face can result in an unrealistic portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·sepia oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brush (size 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A smooth canvas will make it easier to blend the values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke