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home·artworks·Princess & Burke & Wills
Princess & Burke & Wills by Arthur Streeton

plate no. 1854

Princess & Burke & Wills

Arthur Streeton, 1889

oilImpressionismcityscapecityscapestatuebuildingfigureskyadvertisements
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and simplifying complex forms into basic shapes. It also provides practice in using a limited color palette to create a cohesive and harmonious composition.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the statue, buildings, and horizon line.

  2. step 02

    Block in the sky with a thin wash of gray and lavender.

  3. step 03

    Establish the basic color blocks for the buildings and statue using a muted palette.

  4. step 04

    Add the darker values to define the shadows and create depth.

  5. step 05

    Refine the details of the statue, focusing on the folds of the fabric.

  6. step 06

    Add the figures and advertisements with quick, gestural brushstrokes.

  7. step 07

    Adjust the overall values and colors to create a sense of atmospheric perspective.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Mix grays by combining white, umber, and a touch of blue or red. Use yellow ochre and burnt sienna to create warm, earthy tones for the buildings and statue.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a strong value structure.
  • →Neglecting the atmospheric perspective, which flattens the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes sizes 2, 4, and 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the overall color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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