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home·artworks·Princess and the Pea (The Real Princess), illustration to the Princess and the Pea
Princess and the Pea (The Real Princess), illustration to the Princess and the Pea by Edmund Dulac

plate no. 7402

Princess and the Pea (The Real Princess), illustration to the Princess and the Pea

Edmund Dulac

oilArt Nouveau (Modern)illustrationbedprincesspillowsroominteriorcanopy
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to render complex drapery and fabric folds. Students will also learn about creating a sense of atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the bed's structure and the princess's placement.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint.

  3. step 03

    Begin layering colors on the bed, working from dark to light to define the folds and textures of the pillows and blankets.

  4. step 04

    Paint the canopy and curtains, paying attention to the way light interacts with the fabric.

  5. step 05

    Add details to the bedposts and other architectural elements.

  6. step 06

    Refine the princess's features and clothing, using small brushes for precision.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a soft, atmospheric effect.

color palette

primary · purple · teal · brown · white

secondary · gold · pink · green

Achieve the muted tones by mixing complementary colors and using white to lighten values. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early
  • →Using colors that are too saturated
  • →Failing to establish a clear value structure
  • →Ignoring the subtle color variations in the shadows

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints (or acrylics)
  • ·Round brushes (sizes 0, 2, 4, 6)
  • ·Watercolor paper (140lb or heavier)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Watercolor pencils

Using high-quality paints and paper will make a significant difference in the final result. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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