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home·artworks·Prince Edward, Duke of Windsor (King Edward VIII)
Prince Edward, Duke of Windsor (King Edward VIII) by Solomon Joseph Solomon

plate no. 3441

Prince Edward, Duke of Windsor (King Edward VIII)

Solomon Joseph Solomon

oilImpressionismportraitportraitfiguremanclothingmedalsface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in loose, expressive brushwork and creating depth with value contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure.

  2. step 02

    Block in the background with a thin layer of burnt umber, establishing the overall tone.

  3. step 03

    Roughly block in the main shapes of the face, hair, and clothing with corresponding values.

  4. step 04

    Begin refining the skin tones, mixing subtle variations of pink, yellow, and brown.

  5. step 05

    Add details to the eyes, nose, and mouth, paying attention to the light and shadow.

  6. step 06

    Paint the clothing, focusing on the shapes and folds, and the highlights on the collar.

  7. step 07

    Add the medals with simplified shapes and colors, using highlights to create a sense of depth.

  8. step 08

    Refine the overall painting, adjusting values and adding details as needed.

color palette

primary · burnt umber · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · ivory black

Mix skin tones by combining white, red, yellow ochre, and a touch of umber or blue for shadows. Achieve the dark background and clothing by mixing umber and black.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·scumbling
  • ·value studies
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the loose, expressive brushwork.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy skin tones by overmixing colors.
  • →Ignoring the subtle value changes in the face.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for expressive brushwork. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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