apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Prince Dmitry Pozharsky Patient Receives Ambassadors in Moscow
Prince Dmitry Pozharsky Patient Receives Ambassadors in Moscow by Wilhelm Kotarbinski

plate no. 3765

Prince Dmitry Pozharsky Patient Receives Ambassadors in Moscow

Wilhelm Kotarbinski, 1882

oilRomanticismhistory paintingfiguresinteriorhistoricalclothingambassadorsillness
experienced study

Recreating this painting will develop skills in figure painting, composition with multiple subjects, and rendering of fabrics and textures. Students will also learn to create a sense of depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 7 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background and figures using thin washes.

  3. step 03

    Develop the values and details of the faces and hands, paying attention to light and shadow.

  4. step 04

    Work on the clothing and fabrics, building up layers of color and texture.

  5. step 05

    Refine the details of the background and foreground, adding highlights and shadows to create depth.

  6. step 06

    Pay attention to the overall color harmony and make adjustments as needed.

  7. step 07

    Add final details and highlights to bring the painting to life.

color palette

primary · red · gold · brown · black

secondary · green · blue · white · yellow

Achieve the rich colors by layering and glazing. Mix browns and blacks with blues and reds to avoid flatness. Use white to create highlights and lighter tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·fabric rendering

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the colors and losing the freshness of the painting.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·Stretched canvas 24x36
  • ·Oil paints: titanium white, ivory black, burnt umber, raw sienna, cadmium red, cadmium yellow, ultramarine blue
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke