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home·artworks·Priam' Beating Lord Exeter's 'Augustus' at Newmarket
Priam' Beating Lord Exeter's 'Augustus' at Newmarket by John Frederick Herring Sr.

plate no. 1930

Priam' Beating Lord Exeter's 'Augustus' at Newmarket

John Frederick Herring Sr., 1831

oilRomanticismanimal paintinghorsesjockeysskycloudsgrassfigures
some experience helpful

Recreating this painting will help students develop skills in depicting dynamic movement and understanding atmospheric perspective. It also offers practice in rendering realistic animal anatomy and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horses and jockeys.

  2. step 02

    Block in the large areas of color for the sky, grass, and horses.

  3. step 03

    Develop the forms of the horses, paying attention to their anatomy and musculature.

  4. step 04

    Add details to the jockeys' clothing and the horses' tack.

  5. step 05

    Refine the sky and clouds, creating a sense of depth and atmosphere.

  6. step 06

    Add highlights and shadows to create dimension and form.

  7. step 07

    Paint the distant horses and figures, using lighter values to create atmospheric perspective.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · yellow ochre · titanium white · Prussian blue

secondary · cadmium red · ivory black · raw sienna

Mix greens for the grass by combining yellow ochre and Prussian blue. Achieve the dark browns of the horses by mixing burnt umber, ivory black, and a touch of cadmium red. Create the sky by layering diluted Prussian blue and white.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the horses wrong.
  • →Overworking the details and losing the overall sense of movement.
  • →Making the colors too saturated and unnatural.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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oil painting for beginners →how to learn by studying the masters →
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