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home·artworks·Presidente Fragata Sarmiento
Presidente Fragata Sarmiento by Benito Quinquela Martin

plate no. 6153

Presidente Fragata Sarmiento

Benito Quinquela Martin, 1904

oilImpressionismmarinaboatswaterfiguresbuildingsharborsky
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and using visible brushstrokes to create texture and movement. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the boats, buildings, and horizon line using light pencil strokes.

  2. step 02

    Block in the large areas of color, starting with the sky and water, using thin washes.

  3. step 03

    Add darker values to define the shapes of the boats and buildings, paying attention to the light source.

  4. step 04

    Build up layers of color and texture using visible brushstrokes, working from background to foreground.

  5. step 05

    Add details to the boats and figures, using smaller brushes and darker colors.

  6. step 06

    Create reflections in the water by mirroring the colors and shapes of the objects above.

  7. step 07

    Refine the edges and details, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and adjust the overall composition as needed.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · cadmium red · viridian

Mix blues and whites for the sky and water, adding touches of yellow ochre for warmth. Use burnt sienna and cadmium red for the boats, and mix greens from blue and yellow for the buildings.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating mud by overmixing colors.
  • →Ignoring the importance of value contrast in creating depth.
  • →Failing to capture the movement and texture of the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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