apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Presentation of the princess
Presentation of the princess by Salvador Sánchez Barbudo

plate no. 1440

Presentation of the princess

Salvador Sánchez Barbudo

oil, canvasRomanticismgenre paintingfiguresinteriorarchitecturedressesceremonycolumns
advanced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and intricate details, as well as mastering the use of broken color and visible brushstrokes to create texture and atmosphere.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and value relationships.

  3. step 03

    Develop the architectural details, paying attention to the perspective and the play of light and shadow.

  4. step 04

    Start adding details to the figures, focusing on the faces and the folds of the clothing.

  5. step 05

    Build up the texture and atmosphere by layering broken color and using visible brushstrokes.

  6. step 06

    Refine the details and adjust the values to create a sense of depth and realism.

  7. step 07

    Add final highlights and shadows to enhance the overall effect.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · red · blue · gold · white

secondary · green · brown · pink · grey

Achieve the rich, warm tones by mixing reds, browns, and golds. Use white to create highlights and lighten colors. Mix blues and whites for the dresses.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·glazing
  • ·alla prima

common pitfalls

  • →getting lost in the details too early
  • →over-blending the colors
  • →failing to establish a strong value structure
  • →inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A variety of brush sizes and shapes will be helpful for creating different textures and details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke