apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Presentation of the model of the Pavia Cathedral in Ascanio Sforza
Presentation of the model of the Pavia Cathedral in Ascanio Sforza by Federico Faruffini

plate no. 8001

Presentation of the model of the Pavia Cathedral in Ascanio Sforza

Federico Faruffini, 1858

oil, canvasRomanticismhistory paintingfiguresarchitectureinteriortablecarpetmodel
some experience helpful

Recreating this painting will help students develop skills in figure drawing, composition, and creating depth using value and atmospheric perspective. It also provides practice in rendering textures and details in a limited color palette.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure by applying a thin wash of a neutral color (e.g., raw umber) to the entire canvas.

  3. step 03

    Gradually build up the darker areas, focusing on creating depth and form.

  4. step 04

    Introduce lighter values to define highlights and create contrast.

  5. step 05

    Refine the details of the figures, faces, and architectural model, using smaller brushes.

  6. step 06

    Pay close attention to the rendering of fabrics and textures.

  7. step 07

    Add subtle color variations to create visual interest.

  8. step 08

    Make final adjustments to values and details to achieve a cohesive and balanced composition.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Achieve the various shades of gray and brown by mixing ivory black, raw umber, and titanium white in different proportions. Use yellow ochre and burnt sienna sparingly to add warmth to certain areas.

techniques

  • ·grisaille
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions in figures
  • →Lack of depth and atmospheric perspective
  • →Overworking details too early
  • →Muddy color mixing
  • →Ignoring the overall value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas for optimal texture. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke