apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Presentation of Jesus Christ at the Temple
Presentation of Jesus Christ at the Temple by Palma il Giovane

plate no. 5781

Presentation of Jesus Christ at the Temple

Palma il Giovane

oilMannerism (Late Renaissance)religious paintingfiguresarchitecturetempleangelsreligious scenebaby
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in capturing complex compositions and narratives.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of figures and architectural elements.

  2. step 02

    Establish the main light source and block in the major shadow areas.

  3. step 03

    Start with the background, painting the distant architecture and sky with thin washes.

  4. step 04

    Gradually build up the layers of paint, adding details to the figures and drapery.

  5. step 05

    Pay close attention to the skin tones, using subtle variations in color to create depth and form.

  6. step 06

    Refine the details of the faces and hands, capturing the expressions and gestures of the figures.

  7. step 07

    Add highlights to the drapery and architectural elements to create a sense of volume.

  8. step 08

    Finish by adding any final details and adjusting the overall color balance.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · viridian green · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red; create shadows with burnt umber and blue. Mix greens by combining yellow and blue, and adjust with white or black for value.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →getting lost in details too early
  • →inaccurate proportions of figures
  • →muddy colors from overmixing
  • →neglecting the background and atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, viridian green, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti