apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Prahova Valley Landscape
Prahova Valley Landscape by Micaela Eleutheriade

plate no. 2578

Prahova Valley Landscape

Micaela Eleutheriade

oilImpressionismlandscapemountainstreesbuildingsriverbridgefigures
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex landscapes into basic shapes and values. It's also a good exercise in capturing the impressionistic style with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, buildings, and river.

  2. step 02

    Establish the sky and mountain values with thin washes of color.

  3. step 03

    Block in the larger shapes of the hills and trees, using a limited palette of earth tones.

  4. step 04

    Add the buildings and bridge, paying attention to their relative sizes and positions.

  5. step 05

    Develop the foreground with details like the river, trees, and figures.

  6. step 06

    Refine the colors and values throughout the painting, adding highlights and shadows.

  7. step 07

    Use visible brushstrokes to create texture and movement.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · burnt sienna · viridian green · cadmium red light

Mix greens by combining yellow ochre and viridian green. Achieve the mountain colors by mixing raw umber, white, and a touch of burnt sienna. Use cadmium red light for the roof.

techniques

  • ·layering
  • ·dry brushing
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a clear value structure.
  • →Getting bogged down in details too early.
  • →Using colors straight from the tube without mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·viridian green oil paint
  • ·cadmium red light oil paint
  • ·round brushes (#2, #6, #10)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann