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home·artworks·Prague nooks
Prague nooks by Viktor Oliva

plate no. 5458

Prague nooks

Viktor Oliva, 1918

oilImpressionismcityscapebuildingscityscapearchitecturestreetfiguretowers
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing to create atmospheric effects, and rendering textures of old buildings. It also provides practice in capturing the overall mood and light of a cityscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective.

  3. step 03

    Block in the main color areas with thin washes, starting with the sky and distant buildings.

  4. step 04

    Gradually build up layers of color on the buildings, adding details and variations in tone.

  5. step 05

    Pay attention to the light and shadow patterns, using darker tones to create depth and dimension.

  6. step 06

    Add details such as windows, architectural features, and the figure in the street.

  7. step 07

    Refine the textures of the buildings and the cobblestone street with small brushstrokes.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · raw umber · titanium white · cadmium red light

Mix yellow ochre and ultramarine blue for the greenish-gray tones of the buildings. Use burnt sienna and cadmium red light for the roof tiles and brickwork. Add titanium white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·layering
  • ·color mixing

common pitfalls

  • →Getting the perspective wrong, leading to distorted buildings.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Ignoring the light and shadow patterns, making the painting appear flat.

materials

surface · watercolor paper 140lb

required

  • ·stretched canvas 12x16
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·palette knife
  • ·masking fluid
  • ·ruler

Use high-quality watercolor paints for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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