apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Près de Seelisberg: a view of Lac de Lucerne seen from the Seelisberg, Switzerland
Près de Seelisberg: a view of Lac de Lucerne seen from the Seelisberg, Switzerland by Alexandre Calame

plate no. 7788

Près de Seelisberg: a view of Lac de Lucerne seen from the Seelisberg, Switzerland

Alexandre Calame, 1861

oil, canvasRomanticismlandscapemountainslaketreesskylandscapeclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in rendering foliage and mountain forms with light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, lake, and foreground elements.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the sky with light yellows and pinks, blending softly.

  4. step 04

    Paint the distant mountains with muted blues and purples to create atmospheric perspective.

  5. step 05

    Add the mid-ground mountains with warmer browns and oranges, defining the light and shadow.

  6. step 06

    Paint the lake with varying shades of blue and green, reflecting the sky and surrounding landscape.

  7. step 07

    Add the foreground foliage and rocks with darker greens and browns, using thicker paint.

  8. step 08

    Refine details and highlights throughout the painting to create depth and realism.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · alizarin crimson · viridian green

Mix muted blues and purples for the distant mountains by combining ultramarine blue, alizarin crimson, and a touch of burnt umber. Achieve the warm tones of the mid-ground mountains by mixing yellow ochre, burnt umber, and alizarin crimson. Create the lake's color by mixing ultramarine blue, viridian green, and titanium white.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·layering
  • ·scumbling
  • ·broken color

common pitfalls

  • →Failing to create a sense of depth with atmospheric perspective.
  • →Overworking the details and losing the overall impression.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Neglecting the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke