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home·artworks·Potato gatherers
Potato gatherers by Max Liebermann

plate no. 6055

Potato gatherers

Max Liebermann

oilImpressionismgenre paintingfiguresfieldtreesskyharvestlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, expressive brushstrokes. It's also a good exercise in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: sky, field, and trees.

  3. step 03

    Establish the value structure, paying attention to the light and shadow on the figures and the ground.

  4. step 04

    Begin to refine the shapes of the figures, adding details to their clothing and faces.

  5. step 05

    Develop the texture of the field and the trees with loose, expressive brushstrokes.

  6. step 06

    Add the details of the potatoes and the baskets.

  7. step 07

    Soften edges and blend colors to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · raw sienna · titanium white · Prussian blue

secondary · yellow ochre · cadmium red light · ivory black

Achieve the muted greens by mixing Prussian blue, yellow ochre, and burnt umber. Use white to lighten values and create atmospheric perspective. Mix small amounts of red into browns to add warmth.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating too much contrast and losing the subtle gradations of value.
  • →Failing to establish a strong value structure before adding details.
  • →Making the colors too saturated and losing the muted, earthy tones of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a slightly toned canvas to help establish the value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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