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home·artworks·Postwick Grove, Norwich
Postwick Grove, Norwich by John Crome

plate no. 7226

Postwick Grove, Norwich

John Crome, 1817

oilRomanticismlandscapetreespathlandscapefiguresfoliagesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of tones and values. It also provides practice in depicting foliage with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the trees and the path.

  2. step 02

    Establish the sky with a thin wash of light yellow and white, blending softly.

  3. step 03

    Block in the dark masses of the trees using a mix of browns and greens.

  4. step 04

    Begin layering in lighter tones on the foliage to suggest form and light.

  5. step 05

    Paint the path with varying shades of brown and yellow, indicating sunlight and shadow.

  6. step 06

    Add details to the trees, such as branches and leaves, using smaller brushes.

  7. step 07

    Introduce the figures along the path, keeping them simple and small.

  8. step 08

    Refine the highlights and shadows throughout the painting to create depth and atmosphere.

color palette

primary · yellow ochre · burnt umber · sap green

secondary · titanium white · raw sienna · ultramarine blue

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Achieve lighter tones by adding titanium white to the base colors. Use burnt umber for the darkest shadows.

techniques

  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Creating too much contrast, resulting in a harsh, unnatural look.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Using too much paint, which can muddy the colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, sap green, titanium white, raw sienna, ultramarine blue)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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