apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portret Van Johanna Van Gogh-Bonger
Portret Van Johanna Van Gogh-Bonger by Isaac Israels

plate no. 0492

Portret Van Johanna Van Gogh-Bonger

Isaac Israels

oilImpressionismportraitportraitfigurewomanfaceclothinghead
some experience helpful

This painting provides a good exercise in capturing likeness and form using loose brushstrokes and a limited color palette. Students can learn to simplify details and focus on essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Block in the background with broad strokes of blue and brown.

  3. step 03

    Establish the main value areas of the face, using a mix of pinks, browns, and whites.

  4. step 04

    Add darker tones to define the shadows and contours of the face.

  5. step 05

    Paint the clothing with loose, gestural strokes, focusing on the folds and highlights.

  6. step 06

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  7. step 07

    Add highlights and details to the hair and clothing.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and expressive portrait.

color palette

primary · titanium white · ultramarine blue · burnt umber · cadmium red light

secondary · yellow ochre · ivory black

Mix pinks for the skin tones by blending white with small amounts of red and umber. Achieve neutral grays by mixing black and white, with touches of blue or umber to adjust the temperature.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·value study

common pitfalls

  • →Overworking the details
  • →Getting bogged down in blending
  • →Ignoring the underlying structure of the face
  • →Using colors straight from the tube without mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann