
plate no. 4154
Józef Pankiewicz, 1901
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color mixing to capture skin tones. It also provides practice in rendering textures, such as hair and fabric.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and main features.
Establish the background color with a thin wash of muted browns and greens.
Block in the dark areas of the hair and clothing using a dark mix of black and brown.
Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.
Carefully observe and mix colors to match the subtle variations in the face.
Add details to the hair, clothing, and lace collar, paying attention to the light and shadow.
Refine the facial features, focusing on the eyes, nose, and mouth.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · yellow ochre · alizarin crimson
Skin tones are achieved by mixing white, burnt sienna, and a touch of alizarin crimson. Vary the ratios to create highlights and shadows. Use raw umber and ivory black for the dark clothing and hair, adding small amounts of burnt sienna for warmth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.
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