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home·artworks·Portrait (présumé) D'henry Didier
Portrait (présumé) D'henry Didier by Jean-Baptiste Carpeaux

plate no. 4566

Portrait (présumé) D'henry Didier

Jean-Baptiste Carpeaux

oilRomanticismportraitportraitfiguremalehairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create depth and form. It also provides practice in loose brushwork and creating a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and placement of the head, shoulders, and main features.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes of color.

  3. step 03

    Begin to build up the mid-tones, focusing on the planes of the face and the direction of light.

  4. step 04

    Refine the features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add details to the hair and clothing, using loose brushstrokes to suggest texture.

  6. step 06

    Soften edges and blend transitions to create a sense of atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the form and create depth.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Mix various shades of brown and gray by combining umber, black, and white. Use small amounts of red and yellow to create subtle skin tones.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·value studies
  • ·limited palette

common pitfalls

  • →Overworking the details
  • →Getting the proportions wrong
  • →Using too much color
  • →Not establishing a strong value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall value range.

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oil painting for beginners →how to learn by studying the masters →
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