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home·artworks·Portrait of Young Woman
Portrait of Young Woman by Wilhelm Kotarbinski

plate no. 4168

Portrait of Young Woman

Wilhelm Kotarbinski

oil, canvasArt Nouveau (Modern)portraitportraitwomanhairdressfigureface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused light. It's also a good exercise in color mixing to achieve realistic skin tones and hair color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and hair.

  2. step 02

    Establish the background color with a thin wash of dark brown.

  3. step 03

    Block in the main areas of light and shadow on the face and body using a limited palette of skin tones.

  4. step 04

    Begin to refine the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, using a variety of brushstrokes to create texture and movement.

  6. step 06

    Paint the dress with soft, flowing strokes, capturing the delicate folds and highlights.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · ivory black

Mix skin tones using titanium white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and ivory black to create cooler shadows. For the hair, mix burnt umber with cadmium red and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the softness of the original.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, yellow ochre, cadmium red, ultramarine blue, ivory black)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.

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oil painting for beginners →how to learn by studying the masters →
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