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home·artworks·Portrait of Wladyslaw Reymont
Portrait of Wladyslaw Reymont by Jacek Malczewski

plate no. 9321

Portrait of Wladyslaw Reymont

Jacek Malczewski

oilArt Nouveau (Modern)portraitportraitfigurelandscapebirdsfencebuildings
some experience helpful

Recreating this painting will help students develop skills in portraiture, layering colors to create depth, and capturing textures with visible brushstrokes. It also provides practice in rendering a complex background with multiple elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements in the background.

  2. step 02

    Establish the background with broad washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, using a limited palette of earth tones.

  4. step 04

    Develop the details of the face, focusing on accurate rendering of the features and subtle variations in skin tone.

  5. step 05

    Add details to the clothing, capturing the texture and folds of the fabric.

  6. step 06

    Paint the fence and birds, using short, broken brushstrokes to create a sense of texture and movement.

  7. step 07

    Refine the background, adding details to the buildings and figures in the distance.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · yellow ochre · titanium white · raw sienna

secondary · ultramarine blue · cadmium red · ivory black

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white. Use ultramarine blue and burnt umber to create shadows. Mix cadmium red with burnt umber for warm browns.

techniques

  • ·portraiture
  • ·layering
  • ·broken brushstrokes
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of unity.
  • →Using colors that are too saturated.
  • →Ignoring the atmospheric perspective and making the background too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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