apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of William Tierney Clark
Portrait of William Tierney Clark by Miklos Barabas

plate no. 7411

Portrait of William Tierney Clark

Miklos Barabas

oilRomanticismsketch and studyportraitfiguremanclothingfacehair
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including proportion, shading, and capturing likeness. It also provides practice in subtle color mixing and blending to achieve realistic skin tones.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the main light and shadow areas with light washes of diluted color.

  3. step 03

    Begin building up the skin tones, layering thin washes and blending carefully.

  4. step 04

    Define the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Refine the clothing and background, keeping them simple and understated.

  7. step 07

    Add final highlights and shadows to enhance the form and create depth.

  8. step 08

    Review the overall composition and make any necessary adjustments.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · alizarin crimson

Achieve skin tones by mixing burnt sienna, raw umber, and titanium white. Use small amounts of ultramarine blue and alizarin crimson to create subtle variations in color and shadow.

techniques

  • ·portrait sketching
  • ·glazing
  • ·blending
  • ·value studies
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or intense.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle variations in skin tone.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·ruler
  • ·color wheel

Use high-quality watercolor paper for best results. Experiment with different brands of watercolor paints to find your preferred colors and consistency.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke