apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Victor Guye
Portrait of Victor Guye by Francisco Goya

plate no. 7656

Portrait of Victor Guye

Francisco Goya, 1810

oilRomanticismportraitportraitchildbookclothingfiguredark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing the likeness of a subject. It also provides practice in painting detailed textures, such as the embroidery on the jacket.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure on the canvas, paying attention to the overall composition.

  2. step 02

    Block in the background with a dark, muted color, establishing the overall value range.

  3. step 03

    Begin to define the main features of the face, focusing on accurate placement of the eyes, nose, and mouth.

  4. step 04

    Establish the basic colors and values of the clothing, including the jacket and collar.

  5. step 05

    Add details to the face, refining the skin tones and adding highlights and shadows.

  6. step 06

    Carefully paint the intricate details of the jacket's embroidery, using small brushes and precise strokes.

  7. step 07

    Refine the book and hands, paying attention to the subtle details of the fingers and pages.

  8. step 08

    Add final highlights and shadows to the entire painting, creating a sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium yellow · burnt sienna · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken colors with ivory black and raw umber. Create the gold embroidery by mixing yellow with touches of burnt sienna and raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overworking the details of the embroidery.
  • →Failing to create a sense of depth and dimension.
  • →Getting the skin tones wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke