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home·artworks·Portrait of V. Mamontova
Portrait of V. Mamontova by Viktor Vasnetsov

plate no. 3538

Portrait of V. Mamontova

Viktor Vasnetsov, 1884

oilRomanticismportraitportraitfigureclothingheaddressfabricornament
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle skin tones, as well as rendering complex fabric textures and patterns.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the overall drape of the clothing.

  2. step 02

    Establish the background with broad strokes of muted purples and blues, creating a sense of depth.

  3. step 03

    Block in the main colors of the face, using a limited palette of warm and cool tones to capture the skin's luminosity.

  4. step 04

    Begin to define the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, focusing on the folds and highlights of the fabric, using a combination of thin washes and thicker impasto strokes.

  6. step 06

    Add the details of the headdress, using a fine brush to create the intricate patterns and textures.

  7. step 07

    Refine the overall composition, adjusting the values and colors to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · alizarin crimson · ultramarine blue · yellow ochre

secondary · burnt umber · raw sienna · cadmium yellow light

Mix various shades of pink by combining alizarin crimson and titanium white. Create muted purples by mixing ultramarine blue and alizarin crimson. Use yellow ochre and burnt umber to create the gold tones in the clothing.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting the proportions of the face wrong
  • →Oversaturating the colors
  • →Failing to capture the subtle variations in skin tone
  • →Losing the sense of depth in the background

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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