apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the Young Lady with Pink Bow
Portrait of the Young Lady with Pink Bow by Konstantin Makovsky

plate no. 7863

Portrait of the Young Lady with Pink Bow

Konstantin Makovsky

oilRomanticismportraitportraitfigurewomanflowerdresshair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing loose, expressive brushwork to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and flower.

  2. step 02

    Establish the overall background color with a thin wash of green and yellow.

  3. step 03

    Block in the main areas of the face, hair, and dress with simplified color masses.

  4. step 04

    Refine the facial features, paying attention to subtle shifts in value and color.

  5. step 05

    Add details to the hair, using short, broken brushstrokes to create texture.

  6. step 06

    Develop the flower, focusing on the interplay of light and shadow on the petals.

  7. step 07

    Add highlights and shadows to the dress to create a sense of volume.

  8. step 08

    Refine the background, adding subtle variations in color and texture.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · viridian green · ultramarine blue · alizarin crimson

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the background green by mixing yellow ochre and viridian green. Use alizarin crimson and white for the pink flower.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·blending
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke