apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait Of The Wounded KNIL soldier Kees Pop
Portrait Of The Wounded KNIL soldier Kees Pop by Isaac Israels

plate no. 3655

Portrait Of The Wounded KNIL soldier Kees Pop

Isaac Israels, 1882

oilImpressionismgenre paintingportraitsoldierfigureuniformheadwearhistorical
some experience helpful

Recreating this painting will help students develop skills in capturing likeness with expressive brushstrokes and creating depth using a limited, muted color palette. It also offers practice in depicting fabric folds and textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the sling.

  2. step 02

    Establish the dark background using a mix of black, umber, and a touch of blue.

  3. step 03

    Block in the main areas of the face, uniform, and sling with broad strokes, paying attention to the light and shadow.

  4. step 04

    Refine the facial features, adding highlights and shadows to create form and expression.

  5. step 05

    Develop the details of the uniform, including the buttons and medal, using small, precise brushstrokes.

  6. step 06

    Add texture to the sling using dry brush techniques and varying the direction of the strokes.

  7. step 07

    Introduce the red accent color in the headwear, being mindful of its intensity and placement.

  8. step 08

    Make final adjustments to the values and colors, ensuring a cohesive and expressive representation.

color palette

primary · ivory black · raw umber · titanium white

secondary · cadmium red light · ultramarine blue

Achieve the skin tones by mixing raw umber, black, white, and a touch of red. The dark uniform is primarily black with hints of blue and umber. The sling is a mix of white, umber, and black to create a range of grays.

techniques

  • ·dry brush
  • ·scumbling
  • ·alla prima
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Failing to establish a strong value structure, resulting in a flat image.
  • →Using too much color and losing the muted, tonal quality of the painting.
  • →Ignoring the importance of edges and allowing them to become too sharp or undefined.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·#8 filbert brush

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a canvas with a medium texture to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann