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home·artworks·Portrait of the sculptor Jerónimo Suñol
Portrait of the sculptor Jerónimo Suñol by Marià Fortuny

plate no. 5546

Portrait of the sculptor Jerónimo Suñol

Marià Fortuny, 1864

oil, canvasRomanticismportraitfigureinteriorskullfurnitureportraitclothing
experienced study

Recreating this painting will help students develop skills in portraiture, capturing realistic skin tones, and creating depth through layering and glazing. It also provides practice in rendering textures and details in a dimly lit environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure and objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, focusing on the background, clothing, and skin tones.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in tone.

  5. step 05

    Refine the details of the face, hands, and skull, paying close attention to light and shadow.

  6. step 06

    Add highlights and accents to create a sense of depth and realism.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the overall mood.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Add small amounts of cadmium red or yellow ochre to warm up the skin tones and clothing. Use ultramarine blue to cool down shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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