
plate no. 3234
Orest Kiprensky, 1831
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating subtle value gradations and depicting fabric folds.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, focusing on accurate placement of facial features.
Establish the overall value structure by blocking in the dark and light areas with thin washes of color.
Begin building up the skin tones, layering colors and blending to create smooth transitions.
Refine the details of the face, paying close attention to the highlights and shadows that define the form.
Paint the hair, using a variety of brushstrokes to create texture and movement.
Render the clothing, focusing on the folds and drapery.
Add the background, keeping it simple and muted to avoid distracting from the figure.
Add final details and highlights to complete the painting.
color palette
primary · ivory black · titanium white · raw umber · cadmium red
secondary · yellow ochre · burnt sienna
Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Dark areas are created by adding black or burnt umber to the base skin tone mixture. The background is primarily raw umber and ivory black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.
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