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home·artworks·Portrait of the Sculptor Bertel Thorvaldsen
Portrait of the Sculptor Bertel Thorvaldsen by Orest Kiprensky

plate no. 3234

Portrait of the Sculptor Bertel Thorvaldsen

Orest Kiprensky, 1831

oil, canvasRomanticismportraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating subtle value gradations and depicting fabric folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on accurate placement of facial features.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin building up the skin tones, layering colors and blending to create smooth transitions.

  4. step 04

    Refine the details of the face, paying close attention to the highlights and shadows that define the form.

  5. step 05

    Paint the hair, using a variety of brushstrokes to create texture and movement.

  6. step 06

    Render the clothing, focusing on the folds and drapery.

  7. step 07

    Add the background, keeping it simple and muted to avoid distracting from the figure.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · raw umber · cadmium red

secondary · yellow ochre · burnt sienna

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Dark areas are created by adding black or burnt umber to the base skin tone mixture. The background is primarily raw umber and ivory black.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Neglecting the subtle value gradations that define the form.
  • →Using too much detail in the background, distracting from the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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