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home·artworks·Portrait of The Reverend John Thomson, Minister of Duddingston
Portrait of The Reverend John Thomson, Minister of Duddingston by Henry Raeburn

plate no. 5675

Portrait of The Reverend John Thomson, Minister of Duddingston

Henry Raeburn

oil, canvasRomanticismportraitportraitfiguremanclothingfacebackground
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light and shadow areas on the face and clothing with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of color, focusing on subtle variations in hue and value.

  4. step 04

    Refine the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the clothing, including the collar and coat, using darker values.

  6. step 06

    Work on the background, blending the colors to create a sense of depth and atmosphere.

  7. step 07

    Add highlights to the face and clothing to create a sense of form and dimension.

  8. step 08

    Make final adjustments to the colors, values, and details to complete the portrait.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue

Mix skin tones by combining white, red, yellow ochre, and a touch of umber. Use ultramarine blue and black for the dark background. Achieve subtle variations by adding small amounts of other colors.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the background too dark or too light.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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