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home·artworks·Portrait of the princess di Sant'Antimo
Portrait of the princess di Sant'Antimo by Francesco Hayez

plate no. 5407

Portrait of the princess di Sant'Antimo

Francesco Hayez, 1844

oil, canvasRomanticismportraitportraitfiguredresslacechairhair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with dark, blended tones.

  3. step 03

    Block in the main shapes of the dress and chair with initial color washes.

  4. step 04

    Begin modeling the face, paying close attention to light and shadow.

  5. step 05

    Develop the details of the dress, including the lace and fabric patterns.

  6. step 06

    Refine the hair, adding highlights and shadows to create volume.

  7. step 07

    Add details to the hands and fan.

  8. step 08

    Adjust values and colors throughout the painting to create a cohesive and realistic image.

color palette

primary · ivory black · titanium white · burnt sienna · cadmium red

secondary · ultramarine blue · yellow ochre

Mix white with small amounts of black and blue to create the subtle grays of the dress. Use burnt sienna and cadmium red for the chair, adjusting the mixture to create variations in tone. Mix small amounts of ultramarine blue to the white to create the bluish tint of the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·fabric rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth and volume.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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