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home·artworks·Portrait of the painter Schilcher in Vienna
Portrait of the painter Schilcher in Vienna by Friedrich von Amerling

plate no. 8081

Portrait of the painter Schilcher in Vienna

Friedrich von Amerling, 1836

oil, canvasRomanticismportraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating depth through subtle value changes. It also provides practice in rendering fabric and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with diluted paint.

  3. step 03

    Begin refining the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  4. step 04

    Develop the hair, using a variety of brushstrokes to suggest texture and volume.

  5. step 05

    Work on the clothing, paying attention to the folds and creases that define its form.

  6. step 06

    Refine the background, ensuring it complements the figure without distracting from it.

  7. step 07

    Add highlights and details to enhance the sense of realism and depth.

  8. step 08

    Make final adjustments to the overall composition and value structure.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · burnt umber

Achieve subtle variations in skin tone by mixing white, black, and small amounts of yellow ochre and burnt umber. Use thin glazes to build up depth and luminosity.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Creating too much contrast, resulting in a harsh or unnatural look.
  • →Ignoring the subtle value changes that create depth and form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Raw umber oil paint
  • ·Yellow ochre oil paint
  • ·Burnt umber oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Odorless mineral spirits

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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