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home·artworks·Portrait of the Commander of the Dragoon Regiment P. A. Chicherin
Portrait of the Commander of the Dragoon Regiment P. A. Chicherin by Alexey Venetsianov

plate no. 9907

Portrait of the Commander of the Dragoon Regiment P. A. Chicherin

Alexey Venetsianov, 1810

pastelRomanticismportraitportraitfiguremilitary uniformclothinghairsky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in depicting fabric and details like the epaulettes and decorations.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with soft, blended pastel strokes.

  3. step 03

    Establish the basic skin tones, focusing on the light and shadow areas.

  4. step 04

    Develop the features of the face, paying attention to the eyes, nose, and mouth.

  5. step 05

    Define the clothing and uniform, including the collar, epaulettes, and decorations.

  6. step 06

    Refine the hair, adding details and texture.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and details.

color palette

primary · flesh tones (various shades of pink, peach, and cream) · Prussian blue · Cadmium red

secondary · Ivory black · Yellow ochre · Burnt umber

Achieve skin tones by mixing white, red, yellow, and a touch of blue or brown. Use Prussian blue and black for the uniform, adding white for highlights. Mix red with a touch of yellow and brown for the red accents.

techniques

  • ·pastel blending
  • ·layering
  • ·scumbling
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overblending, resulting in a flat appearance.
  • →Incorrect proportions, leading to a distorted likeness.
  • →Neglecting the background, making the figure appear isolated.
  • →Using too much pressure, making the pastel difficult to blend.
  • →Lack of attention to details in the uniform and decorations.

materials

surface · Pastel paper (toned)

required

  • ·Pastel set (soft pastels)
  • ·Pastel paper (toned)
  • ·Blending stumps
  • ·Kneaded eraser
  • ·Fixative spray
  • ·Pencil
  • ·Ruler
  • ·Workable fixative

optional

  • ·Palette knife
  • ·Easel
  • ·Reference photo print

Choose a pastel paper with a slightly rough texture to hold the pastel pigment. A toned paper will help with establishing values.

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