
plate no. 3318
John Pettie, 1865
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures with subtle color variations. It also provides practice in creating a sense of depth and atmosphere through tonal values.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and the door.
Establish the overall tonal values with a thin wash of burnt umber.
Block in the main colors of the dress, skin, and background, focusing on accurate color mixing.
Develop the details of the face, paying attention to the light and shadow.
Refine the folds and textures of the dress, using a variety of brushstrokes.
Add highlights and shadows to create depth and dimension.
Paint the details of the door and the door handle.
Add final touches and glazes to unify the painting.
color palette
primary · burnt umber · titanium white · ivory black
secondary · yellow ochre · cadmium red · ultramarine blue
Mix various shades of gray and brown by combining burnt umber, ivory black, and titanium white. Use small amounts of yellow ochre and ultramarine blue to create subtle color variations in the dress and background. Add a touch of cadmium red for the skin tones and the flower.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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