apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the Artist's Mother and Sister
Portrait of the Artist's Mother and Sister by Berthe Morisot

plate no. 0455

Portrait of the Artist's Mother and Sister

Berthe Morisot, 1870

oil, canvasImpressionismportraitfiguresinteriorcouchbooktableportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing light and shadow on fabric, and creating a sense of atmosphere through loose brushwork. It also provides practice in depicting complex patterns and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and objects.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Block in the large shapes of the figures and the couch, paying attention to the overall color harmony.

  4. step 04

    Develop the details of the faces, hands, and clothing, using small brushstrokes and subtle color variations.

  5. step 05

    Add the patterns on the couch and the details of the table and objects.

  6. step 06

    Refine the background and the overall atmosphere of the painting.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Review and adjust the painting as needed to achieve a cohesive and harmonious result.

color palette

primary · ivory black · titanium white · yellow ochre · rose madder

secondary · cerulean blue · viridian · burnt umber

Mix various shades of white with small amounts of yellow ochre, rose madder, and cerulean blue to create the subtle variations in the white dress. Use ivory black and burnt umber to create the dark tones of the dress and background.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima
  • ·glazing

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to capture the subtle color variations in the white dress.
  • →Creating muddy colors by overmixing.
  • →Incorrect proportions of the figures.
  • →Ignoring the overall light and shadow pattern.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, titanium white, yellow ochre, rose madder, cerulean blue, viridian, burnt umber)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann