
plate no. 2303
Henri Regnault, 1866
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating subtle gradations and soft edges.
technical profile
approach — 8 steps
Lightly sketch the oval shape and the basic proportions of the head and shoulders.
Block in the background with a thin, neutral gray-brown tone.
Establish the main shadow shapes on the face and clothing using a mid-tone brown.
Begin layering in lighter skin tones, focusing on the forehead, cheek, and nose.
Paint the hair, using darker browns and blacks to define the form and texture.
Add details to the clothing, paying attention to the folds and shadows.
Refine the facial features, including the eyes, nose, and mouth, with subtle highlights and shadows.
Add final touches and highlights to the hair and clothing.
color palette
primary · raw umber · titanium white · cadmium red light
secondary · ivory black · yellow ochre · burnt sienna
Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use varying amounts of red for the cheeks and nose. Darken shadows with umber and black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.
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