
plate no. 1956
Valentin Serov, 1901
This painting is a great exercise in capturing likeness and form using a limited palette and expressive brushstrokes. Students will learn to simplify values and suggest details rather than rendering them precisely.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.
Establish the background tone with a diluted wash of the ochre color.
Begin layering in the darker values using a mix of burnt umber and black, focusing on the shadows under the chin, in the hair, and on the clothing.
Use a slightly drier brush to create texture in the hair and beard, allowing some of the paper to show through.
Define the facial features with careful brushstrokes, paying attention to the light and shadow on the nose, eyes, and mouth.
Add the details of the clothing, using a combination of wet-on-wet and dry brush techniques to create variation in texture and tone.
Use a clean, damp brush to soften edges and blend values where needed.
Add final highlights with a touch of white or a very diluted ochre.
color palette
primary · burnt umber · raw sienna · black
secondary · white
Mix burnt umber and black for the darker shades. Dilute the raw sienna for the background and lighter areas. Use white sparingly for highlights.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use a good quality watercolor paper that can withstand multiple washes. Experiment with different brush sizes to achieve a variety of strokes.
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