apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the Artist Ilya Repin
Portrait of the Artist Ilya Repin by Valentin Serov

plate no. 1956

Portrait of the Artist Ilya Repin

Valentin Serov, 1901

watercolor, paperImpressionismportraitportraitfiguremanbeardclothinghand
some experience helpful

This painting is a great exercise in capturing likeness and form using a limited palette and expressive brushstrokes. Students will learn to simplify values and suggest details rather than rendering them precisely.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background tone with a diluted wash of the ochre color.

  3. step 03

    Begin layering in the darker values using a mix of burnt umber and black, focusing on the shadows under the chin, in the hair, and on the clothing.

  4. step 04

    Use a slightly drier brush to create texture in the hair and beard, allowing some of the paper to show through.

  5. step 05

    Define the facial features with careful brushstrokes, paying attention to the light and shadow on the nose, eyes, and mouth.

  6. step 06

    Add the details of the clothing, using a combination of wet-on-wet and dry brush techniques to create variation in texture and tone.

  7. step 07

    Use a clean, damp brush to soften edges and blend values where needed.

  8. step 08

    Add final highlights with a touch of white or a very diluted ochre.

color palette

primary · burnt umber · raw sienna · black

secondary · white

Mix burnt umber and black for the darker shades. Dilute the raw sienna for the background and lighter areas. Use white sparingly for highlights.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·value layering
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the spontaneity of the original.
  • →Using too much water and creating muddy colors.
  • →Failing to establish a strong value structure.
  • →Not capturing the likeness of the subject.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints (burnt umber, raw sienna, black, white)
  • ·round watercolor brushes (various sizes)
  • ·water container
  • ·palette
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use a good quality watercolor paper that can withstand multiple washes. Experiment with different brush sizes to achieve a variety of strokes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann