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home·artworks·Portrait of the Architect and Painter Alexander Brulloff
Portrait of the Architect and Painter Alexander Brulloff by Karl Bryullov

plate no. 1630

Portrait of the Architect and Painter Alexander Brulloff

Karl Bryullov, 1841

oil, canvasRomanticismportraitportraitfigurebooksstatuetableinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and background elements.

  2. step 02

    Establish the background with thin washes of color, focusing on the subtle gradations of light and shadow.

  3. step 03

    Block in the main areas of the figure, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the fabric.

  6. step 06

    Add details to the background elements, such as the books and statue.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber; use ivory black and raw umber for the dark clothing, adding small amounts of white for highlights.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·value studies

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy or dull colors by overmixing.
  • →Failing to create a sense of depth and form through value changes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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oil painting for beginners →how to learn by studying the masters →
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