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home·artworks·Portrait of the architect A. Gornostaev
Portrait of the architect A. Gornostaev by Karl Bryullov

plate no. 5187

Portrait of the architect A. Gornostaev

Karl Bryullov, 1828

oil, canvasRomanticismportraitportraitfiguremanclothinghairface
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering skin tones with subtle color variations. It also provides practice in creating depth and form using light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, focusing on the subtle color variations in the highlights and shadows.

  4. step 04

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Paint the clothing, using darker values to create contrast and depth.

  6. step 06

    Add details to the hair, using small brushstrokes to create texture and volume.

  7. step 07

    Refine the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, cadmium red, and titanium white. Use ivory black and burnt umber for the dark clothing and background. Yellow ochre can be used to warm up the skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Failing to create sufficient contrast, resulting in a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany palette

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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