
plate no. 9111
Karl Bryullov, 1843
Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones. It also provides practice in creating depth and form using subtle value changes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and clothing.
Establish the main light and shadow areas with a thin wash of burnt umber.
Block in the background with a dark, neutral color.
Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.
Define the features of the face, paying close attention to the eyes, nose, and mouth.
Paint the clothing, focusing on the folds and drapery.
Add details such as the hair, collar, and any jewelry.
Refine the overall painting, adjusting values and adding finishing touches.
color palette
primary · titanium white · ivory black · burnt umber · cadmium red
secondary · yellow ochre · ultramarine blue
Skin tones can be achieved by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Dark areas are created by mixing ivory black and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.
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