
plate no. 8816
Henry Raeburn, 1822
This painting is a good exercise in portraiture, focusing on accurate skin tones and subtle value changes to create form. Recreating this will help students understand how to capture a likeness and create a sense of depth.
technical profile
approach — 8 steps
Sketch the basic shapes of the head, shoulders, and clothing, paying attention to proportions.
Establish the background with a dark, muted brown tone.
Block in the main areas of color: skin, hair, clothing, and background.
Begin refining the skin tones, using layers of color to build up highlights and shadows.
Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness.
Work on the clothing, paying attention to the folds and shadows.
Add the chain detail.
Refine the overall painting, adjusting values and adding final details.
color palette
primary · ivory black · yellow ochre · burnt umber · titanium white
secondary · cadmium yellow · raw sienna · alizarin crimson
Mix skin tones by blending yellow ochre, burnt umber, and titanium white, adding small amounts of alizarin crimson for warmth. Achieve the dark background by mixing ivory black and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.
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