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home·artworks·Portrait of Sir Walter Scott
Portrait of Sir Walter Scott by Henry Raeburn

plate no. 8816

Portrait of Sir Walter Scott

Henry Raeburn, 1822

oil, canvasRomanticismportraitportraitfiguremanclothinghistorical
some experience helpful

This painting is a good exercise in portraiture, focusing on accurate skin tones and subtle value changes to create form. Recreating this will help students understand how to capture a likeness and create a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, shoulders, and clothing, paying attention to proportions.

  2. step 02

    Establish the background with a dark, muted brown tone.

  3. step 03

    Block in the main areas of color: skin, hair, clothing, and background.

  4. step 04

    Begin refining the skin tones, using layers of color to build up highlights and shadows.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness.

  6. step 06

    Work on the clothing, paying attention to the folds and shadows.

  7. step 07

    Add the chain detail.

  8. step 08

    Refine the overall painting, adjusting values and adding final details.

color palette

primary · ivory black · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · raw sienna · alizarin crimson

Mix skin tones by blending yellow ochre, burnt umber, and titanium white, adding small amounts of alizarin crimson for warmth. Achieve the dark background by mixing ivory black and burnt umber.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·value studies
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Not paying attention to the subtle value changes in the face.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: ivory black, yellow ochre, burnt umber, titanium white
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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