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home·artworks·Portrait of Sir John Everett Millais
Portrait of Sir John Everett Millais by George Frederick Watts

plate no. 5875

Portrait of Sir John Everett Millais

George Frederick Watts, 1871

oil, canvasRomanticismportraitportraitmanfigureclothinghairprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth and atmosphere through layered brushwork and limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color, focusing on the skin tones and clothing.

  4. step 04

    Refine the facial features, paying attention to the light and shadow.

  5. step 05

    Develop the details of the hair and clothing, using small brushstrokes.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere.

  7. step 07

    Add highlights and shadows to enhance the form.

  8. step 08

    Glaze with thin layers of color to adjust the overall tone and saturation.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ivory black · cadmium red light

Mix skin tones by combining white, yellow ochre, and a touch of red. Use burnt umber and black to create shadows and dark areas. Add small amounts of red to warm up the skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·linseed oil
  • ·#4 round brush

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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