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home·artworks·Portrait of Signor Panciatichi Bartolomeo
Portrait of Signor Panciatichi Bartolomeo by Agnolo Bronzino

plate no. 4477

Portrait of Signor Panciatichi Bartolomeo

Agnolo Bronzino, 1540

oil, panel, temperaMannerism (Late Renaissance)portraitportraitfigurebeardclothingarchitecturebackground
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding how to create depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure by blocking in the dark areas of the clothing and background.

  3. step 03

    Begin rendering the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  4. step 04

    Pay close attention to the details of the face, including the eyes, nose, and mouth.

  5. step 05

    Work on the beard, using short, broken brushstrokes to create texture and dimension.

  6. step 06

    Refine the details of the clothing, including the folds and wrinkles.

  7. step 07

    Add the architectural details of the background, paying attention to perspective and proportion.

  8. step 08

    Make final adjustments to the overall composition and value structure.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. Darken values with raw umber and ivory black. Create the beard color by mixing burnt sienna with small amounts of raw umber and cadmium red light.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overly harsh or abrupt value changes.
  • →Lack of attention to detail in the face.
  • →Flat or lifeless rendering of the beard.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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