apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of S.Hudenkov
Portrait of S.Hudenkov by Konstantin Makovsky

plate no. 8418

Portrait of S.Hudenkov

Konstantin Makovsky, 1890

oilRomanticismportraitportraitfiguremanbookchairdrapery
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also improve their understanding of chiaroscuro and how to use light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and background.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background drapery, focusing on subtle color variations and soft edges.

  4. step 04

    Begin building up the form of the face, paying close attention to the highlights and shadows.

  5. step 05

    Refine the details of the clothing and chair, adding texture and dimension.

  6. step 06

    Paint the book in the figure's hand, capturing its form and the pages within.

  7. step 07

    Add final highlights and details to the face and hair.

  8. step 08

    Glaze and adjust colors as needed to achieve a harmonious and unified effect.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix various shades of brown and gray by combining the primary colors. Use small amounts of blue and crimson to create cooler shadows and subtle color variations in the skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall impression.
  • →Creating harsh edges and transitions.
  • →Failing to capture the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke